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朱锷可以说是在设计界为数极少的将日本王朝文学美的意识和中国文人画中的诗情画意巧妙溶为一体的设计师之一.我在观看朱锷的“古香、恬静”组作时,突然间有种奇想:我竟从浙浙沥沥的小雨而联想到中国明末清初的禅画家八大山人和日本的友禅名匠木村雨山.木村雨山是加贺友禅的近代名匠,对于雨山,内情人知道,在画坛上知名度低.所谓友禅名匠,只是一种职业画匠,与绘画美术隔绝很大.但是,作为近代友禅绘师,雨山以世不多见的高雅格调和充满诗情的作风受到高度
Zhu 锷 can be said to be one of the few designers in the design community to combine the awareness of the beauty of Japanese literature with the poetic painting in Chinese literati painting. When I watched Zhu 锷’s “Old and Peaceful” Composition Suddenly there is a kind of whim: I actually think of the light rain of Zhejiang and Lhoksese as the Zen painter Bada Shanren of Japan in the late Ming and early Qing dynasties and the famous Japanese artisan Kimura Yusama in the late Ming and early Qing dynasties, The inner lover knows that he has a low reputation in the art scene. The so-called friend of Zen Buddhism is only a kind of professional artisan who is isolated from the art of painting. However, as a modern Buddhist painter, Yunshan is worldly elegant and full of poetic style By height