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音乐对于任何一种表演艺术来说都是不可缺少的,甚至是至关重要的。舞蹈演员常常说:“没有音乐,我无法跳舞。”有人还把音乐比做舞蹈的灵魂。京剧假如没有音乐的伴奏,其唱、念、做、打无法进行;它的一举手、一投足都必须有音乐的密切配合。对于那些京剧名角和大师来说,他们对音乐的要求还特别讲究,必须有固定的鼓师、琴师来伴奏,否则效果就出不来。音乐和乐队对于杂技来说,同样很重要。“文革”以前,我国所有的杂技团几乎都有自己的乐队,有的杂技团的乐队水平还相当高。有些五六十年代创作的杂技乐曲至今还在用,如《快乐的炊事员》的音乐。自从盒式录音带问世以后,杂技团的乐队生存日益受到威胁,无论是出
Music is indispensable for any kind of performing arts, or even crucial. Dancers often say: “There is no music, I can not dance. ” Some people also music than the soul of dance. If there is no musical accompaniment to Beijing Opera, its singing, reading, doing, playing can not be carried out; it’s a show of hands, a cast must have close cooperation with the music. For those Peking opera celebrities and masters, they also pay special attention to the requirements of the music, there must be a fixed drum teacher, the accompanist to play, otherwise the effect can not get out. Music and the band are equally important for acrobatics. “Cultural Revolution ” Before, almost all of our acrobatic troupes have their own band, and some acrobatic troupe band level is still quite high. Some of the acrobatics that were created in the fifties and sixties are still in use today, such as “Happy Cook” music. Acrobatic band’s survival has been increasingly threatened since the advent of cassette tapes,