论文部分内容阅读
在盆景的布局中,首要问题就是分清主次。一件作品,是一个有机整体,只能有一个主体,其余的景物都要服从主体。应采取各种手法,使主体突出,主次分清,否则作品必然显得平淡,而缺乏感染力。“千门万户,总是先立其大”。水旱盆景的布局也是同理。要突出主体,首先要确定主体的形状、位置、体量等,然后再考虑其它景物的安排。必须说明,主次关系是相对的关系,在一件水旱盆景作品中,就整体布局而言,只有一个主体;但就局部而言,每个部分又有局部的主次关系,当然,局部必
In the layout of the bonsai, the primary problem is to distinguish between primary and secondary. A work is an organic whole, can have only one main body, and the rest of the scene subject to the main body. Should take a variety of tactics to make the main prominent, primary and secondary distinguish, otherwise the work will inevitably seem dull, but the lack of appeal. “Thousands of households, always make its first big.” Drought bonsai layout is the same. To highlight the main body, we must first determine the shape of the main body, location, volume, etc., and then consider other arrangements for the scene. Must be explained that the relationship between primary and secondary is a relative relationship in a water and drought bonsai works, the overall layout, there is only one subject; but locally, each part of the local primary and secondary relationships, of course, part must