论文部分内容阅读
电影,是一门视听结合的综合艺术,如按体裁分,有故事片、新闻纪录片、科学教育片、美术片等等,而故事片不仅名列榜首,而且数量也最多,覆盖面与观众也最广,票房和知名度也最高。足见故事片在电影艺术中的“龙头老大”的重要地位与作用。然而,近年来,在电影理论界与电影生产的艺术实践中,有一种“淡化故事”甚至“取消故事”的倾向,许多人以此为时髦与新潮,并为此趋之若鹜。因此,有必要对故事片的故事性问题进行讨论廓清,并对其重新审视与加以强调重视,以有利于电影理论与电影生产的健康发展。笔者对此略抒浅
Film, is a combination of audio-visual integrated arts, such as the genre, feature films, documentaries, science education films, art films and so on, and feature films not only topped the list, but also the largest number, the most extensive coverage and audience, box office And the highest visibility. Reflect the important role and function of the “film leader” in film art. In recent years, however, there has been a tendency to “fade the story” or even “cancel the story” in the artistic practice of theorists of film theory and cinema, and many are flirting with this trendy and trendy. Therefore, it is necessary to discuss and clarify the story of the story, and to re-examine and emphasize it, in order to facilitate the healthy development of film theory and film production. The author lays little emphasis on this