论文部分内容阅读
引言民族音乐学学科之建立是由于观察到各种音乐间的差别,鲜明果断而完整地反映各文化之间的差别。进而言之,各文化与文化区域的音乐风格的区别明显大于某文化区域之内的个体与团体之间的区别。音乐风格是指整个用音乐交流的情况,听众与演奏者以恰当的方式使用一种共同理解的抽象语言。现代都市社会存在的几千种流行的形式毋宁理解为次生文化——黑人次生文化或青年次生文化——的体现较之其他为更恰当。即使在今天,当一个人从某个大文化区迁移至另一个文化区时,音乐演出与接受的主要方式定会大相径庭,其差别远比这些区
Introduction The establishment of ethnomusicology subjects is due to the observation of the differences between various kinds of music, which clearly and completely reflect the differences among cultures. In other words, the differences between the musical styles of cultural and cultural areas are significantly greater than the differences between individuals and groups within a cultural area. The style of music refers to the whole situation of communicating with music, and the listeners and performers use an abstract language of common understanding in an appropriate way. Thousands of popular forms of modern metropolitan society are less understood as secondary cultures - black secondary cultures or youth secondary cultures - more appropriate than others. Even today, when a person moves from a large cultural area to another cultural area, the main forms of music performance and reception are going to be very different, and the difference is far greater than these areas