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意夫利影片《放大》是著名导演安东尼奥尼新浪漫派的代表作。内容是个巧妙地设置了悬念、并包含深刻寓意的故事:一位年轻的摄影师颇负盛名,他为时装模特尔照相以维持经济上的收入,但他同时又是个严肃的艺术家;他的艺术主张是追求真实,为了拍摄真正反映生活的作品,他带着摄影机到街头、公园实行偷拍,然后将这些照片提供给收购商。一天清晨,一群大学生开完化装晚会。乘在卡车上狂欢着招遥过市。摄影师抛下了时装模特尔,甩开慕名而来的两位年轻姑娘,奔跑在公园的小径上。看到一对恋人正在公园里调情,男的是位显得苍老的中年人,女的还是个年轻姑娘:摄影师随即偷拍下这难得的画面。那位姑娘发现了,冲上前来要抢回录下自己隐私的胶卷。摄影师竭力抗拒,声明这就是他的工作。回到照相馆,摄影师开始了相片的放大工作。两个慕名的姑娘来敲门,被他赶走了。公园里遇上的那位姑娘又来纠缠,要讨回胶卷:摄影师接到自己妻子打来的电话,就把话筒递给那位姑娘,姑娘按下话筒:
Yifuli movie “zoom in” is the famous director Antonioni new romantic masterpiece. The content is a story that cleverly sets the suspense and implies a profound implication: a young photographer famous for his photographs of fashion models to maintain financial income, but he is also a serious artist; his art Advocates are the pursuit of truth, in order to take a real life-oriented work, he took the camera to the streets, the park to carry out candid, and then provide these photos to the purchaser. One morning, a group of college students finished the evening party. Carnival ride on the truck trotted through the city. The photographer dropped the fashion model, throwing away the two young, well-known girls, running on the park path. See a pair of lovers are flirting in the park, the man is a bit old middle-aged, female or young girl: the photographer then photographed this rare picture. The girl found, rushed forward to grab back to record their privacy film. The photographer struggled to resist, stating that this is his job. Back to the photo studio, the photographer started the photo enlargement work. Two admired girls knocked on the door and were taken away by him. The girl who met in the park was entangled again to recover the film: The photographer received a call from his wife, handed it to the girl, and the girl pressed the microphone: