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吴朝辉的理性思考寓指着一个被秩序与规则所支配的世界,这恰巧与卢吴强烈隐喻式地摆放在空间中央的各种器物形成有意味的对峙。同时两个将羽毛封闭其中的透明隔断和其他被机器搅动的羽毛,又为空间孕发着新的关联;张慧将图像化的“日常状态”(卫生间、厨房、办公室)这种二维空间事实“聚焦”重合在余加虚构的一个下沉的工作截面上,使空间、行为方式的共享概念通过身份的互换和功能的重叠被不断地加强,进而给观众以建构日常生活新的可能;王鲁炎将最标准、流行的居住装饰方案强制性“旋转”90度,使其从地上“走上了墙”,而王家浩再次给这个它以“概念上的90度”的修正,将最经典的售楼仪式的现场“覆盖”在这个既可读又可用的双重空间,目的是探寻一种新的关系出场;王晖与何岸同以“一毫米”为基本元索。前者将其量化放大,最终获得新的空间形态。后者将成千上万只1毫米大小的蚂蚁寄生于此形态之上,并预设了它们的行为——使其“书写”成艺术家本人与网友们互通的信息内容。
Wu Chaohui’s rational thinking refers to a world dominated by order and rules, which happens to form a meaningful confrontation with the various objects that Lu Wu possesses metaphorically in the center of space. At the same time, two transparent divisions that closed the feathers and other feathers that were churned by the machines added a new connection to the space for pregnancy. Zhang Hui mapped the two-dimensional space of the “daily state” (bathroom, kitchen, office) The fact that “focus” coincides with a hypothetical sinking section of work makes the concept of sharing of space and behavior more consistent through the exchange of identities and the overlapping of functions, which in turn gives viewers a new chance to construct everyday life ; Wang Luyan forced the most standard, popular residential decoration scheme to “rotate” 90 degrees to “walk on the wall” from the ground, and Wang Jiahao once again gave it a “conceptual 90-degree” revision, The scene of the classic sales ceremony is “covered” in this dual space that is both readable and usable. The purpose is to explore a new relationship appearance. Wang Hui and He An-fei take “one millimeter” as the basic element. The former quantifies and magnifies it, and finally obtains a new space shape. The latter parasitizes this form with tens of thousands of ants, a millimeter in size, and prescribes their behavior - making it “written” into an informational content that the artist communicates with netizens themselves.