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中国画处在工业文明快速发展的今天,已经失去了曾今的语境。势必要具有当代性才有生命力,后现代主义批评则是观察当代最犀利最前卫的语言之一,但是后现代主义批评毕竟是应西方艺术运动而生的产物,中国文明有与西方文明不同的特点,在我看来中国画与理论体系生生不息的主脉不会动摇,而是在后现代主义和后现代主义批评冲突的过程中,将其融合进中国艺术的庞大整体。
Chinese painting in the rapid development of industrial civilization today, has lost the context of the past. Postmodernist criticism is one of the most cutting-edge and most avant-garde languages in the world. However, postmodernism criticism is, after all, the product of the Western art movement. Chinese civilization differs from Western civilization in its own right In my opinion, the main artery of Chinese painting and theoretical system will not falter. Instead, in the process of criticizing and contradicting postmodernism and postmodernism, it will be integrated into the huge whole of Chinese art.