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格温朵琳·布鲁克斯的黑人大都市书写记录了20世纪中期芝加哥南岸种族隔离区黑人平民的日常生活经历。她的诗歌架构起美国种族主义社会形态与种族化的空间生产模式之间的深层逻辑联系,揭示出限制性契约、公共住房、清除贫民窟、城市复兴等一系列空间公共政策对黑人私人领域的侵犯和控制,也揭露了空间生产中的种族对立如何加剧了自由主义公共领域的内在矛盾。另一方面,都市环境中的种族聚居状态强化了黑人的共同体意识,黑人平民期望以公民身份作为媒介,参与到国家共同体的公共领域中。布鲁克斯的黑人大都市书写因此不仅为战后美国的种族融合提供了一种机制性的策略,而且以认同和挑衅并存的方式成为战后美国自由主义叙事的暗流之一。
The black metropolis of Gwynedd Brooks wrote about the everyday life of black civilians living in the South Bank apartheid of Chicago in the mid-20th century. Her poetry structure, which has a deep logical connection between the social forms of racism in the United States and the mode of space-based production of racism, reveals violations of the private sphere of blacks by a series of space-based public policies such as restrictive contracts, public housing, the removal of slums, urban renewal And control also revealed how racial rivalries in space production exacerbated the internal contradictions in the liberal public sphere. On the other hand, ethnic agglomeration in urban environments reinforces the community consciousness of blacks, who aspire to participate in the public sphere of the national community with citizenship as a medium. The writing of Brooks’ black metropolis therefore not only provided a mechanistic strategy for post-war American racial integration, but also became one of the undercurrents of the post-war American liberal narrative in a manner that allowed both identity and provocation.