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中国画以线作为基本造型手段。线条本身的运动感和美感,不断完善的在平面上表达空间和结构的能力,使线描绘画具有生动和概括的特点,为传神写照提供了艺术表现上的最大自由。运动是比较自由的,扩张则要受到一定的限制,两线相遇可交叉而过,面的扩张则要受到另一面的阻碍。体积的扩张则更要受到来自空间各方面的压力。所以较之面和体、线本身的运动具有更大的自由。由于线本身所具有的运动感,所以常常被中
Chinese painting to line as a basic modeling tool. The sense of movement and aesthetics of the line itself, and its constantly improving ability to express space and structure on a plane, make the line drawing vivid and generalized, providing the maximum freedom of artistic expression for vivid portrayal. Movement is relatively free, expansion will have to be some restrictions, two-line encounter can be crossed, the expansion of the face will be subject to the other handicap. Volume expansion is more subject to pressure from all aspects of space. So compared to the face and body, the line itself has more freedom of movement. Because of the sport itself has a sense of movement, it is often being