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我们把雄浑、恢弘、豪放、壮丽风格所表现出来的美,都列入阳刚之气的范畴。今天我们摄影人很幸运,能够在前人艺术基础上不断试探,不断前进。在题材选取上、内容取舍上、构图变化上、影调配比上不停地变化刷新,敢于突破,体现了“我有我法,自有我在”的创造性。作品《塑》,就是一幅以明暗对比来强化平面造型效果的佳作,人物深沉而表现灵活,影调色彩饱满而沉稳,无丝毫陈腐之气,是一幅用现实主义的母体,植根嫁接自己民族土壤的力作。画面流露出借鉴西方造型语言和表现技巧,有强烈的拓荒精神和品格。它的阳刚之气,不只在画面上,而且具有“象中之象”的审美效
We put the beauty, magnificence, magnificent, magnificent style of the show, are included in the scope of masculinity. Today we photographers are very lucky, able to continue to test and advance on the basis of the previous art. In the selection of the theme, the content choice, the composition changes, the film mix constantly refreshing changes, the courage to break through, reflects the “I have my law, I am in the ” creative. The work “Plastic” is a masterpiece of contrasting light and darkness to reinforce the effect of graphic design. The figure is deep and flexible, with full and steady tone and the slightest smell of corruption. It is a realistic, The masterpiece of his own soil. The picture shows the Western styling language and performance skills, there is a strong pioneering spirit and character. Its masculinity, not only on the screen, but also the aesthetic effect of “elephant”