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金子美玲(1903-1930)是日本昭和时代有名的女性童谣诗人。在日本童谣的兴盛的大正至昭和时期,金子美玲如星辰般大放异彩。昭和五年,年仅26岁的金子美玲自杀,其作品也一度被世人遗忘。1984年,金子美玲生前留下的三本手抄童谣诗集共512首作品正式出版,即刻受到瞩目,广为流传。其多首代表作被收录于日本小学国文课本。然而在中国,除了早前互联网上零零散散的一些金子美玲的童谣及少数译作之外,直到2009年才正式出版了金子美玲童谣集内的部分诗歌译作,而关于金子美玲的研究也非常稀少。本文以金子美玲的童谣作品为例,针对其作品中交织着的积极乐观与消极悲观的矛盾性进行一些分析。
Mei-Ling Kim (1903-1930) is a well-known female nursery rhyme in Japan. In the boom of Japanese nursery rhyme to the Showa period, Kim Mi-ling shines like a star. Showa five years, only 26-year-old gold Meiling committed suicide, his work has also been forgotten by the world. In 1984, the three handwritten nursery rhymes collected by Meizu Miu Miu Ling before the publication of a total of 512 works published immediately attracted the attention, widely circulated. His first masterpiece was included in the Japanese primary school Chinese textbooks. However, in China, apart from a few ballads and few translations of the original Mei Ling who were scattered on the Internet earlier, it was not until 2009 that some of the translations of poems in the Jin Meiling lectures were formally published, and the research on Jin Meiling was also very unusual rare. This paper takes Jin Meiling’s nursery rhymes as an example, analyzes some contradictions of positive optimism and negative pessimism in his works.