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二十世纪即将过去。在学术界,有一位长者,他伴随着这个世纪的开始,一直走到现在。人生七十古来稀,如今他已九十高龄,从艺已经七十载了。他,就是我们文艺理论界的前辈,久负盛名的学者、一代宗师王朝闻先生。 先生因爱国走向革命;由学校走到延安;从艺术家走到学问家。他是新中国艺术理论的奠基人;他建立了一个独具特色的美学体系。他的学术思维涵盖美术、文学、戏剧、曲艺、舞蹈、影视……他是历史上少有的集美学家、文艺理论家、雕塑家和教育家于一身的大学者。他的理论、他的学品、他的人品培养和影响了几代人,并将继续滋育后世。
The twentieth century is about to pass. In academia, there is an elder who has come to the present with the beginning of this century. Seventy ancient life to dilute, and now he has 90-year-old, art has been carried for seventy. He is the predecessor of our literary and art circles, prestigious scholar, a generation of master Wang Chao Wen. Because of patriotism, Mr. went to the revolution; went to Yan’an from the school; went to the academic home from the artist. He was the founder of the art theory of New China; he established a unique aesthetic system. His academic thinking covers art, literature, drama, folk art, dance, film and television ... He is one of the few historians in the world who combines aestheticism, literary theorists, sculptors and educators. His theories, his studies, his personalities have cultivated and influenced generations and will continue to nurture future generations.