质地表现在美术基础教学中的意义和作用

• 作 者: 陈新
• 机 构: 河南省驻马店教育学院艺术系,
• 出 处: 美术向导
• 发表日期: 2010年03期
• 关键词: 美术基础教学 现代艺术 中国画发展 形式语言 包豪斯 客观物象 视觉艺术 训练课程 表现因素 高等美术教育

质地是视觉艺术的一种表现语言。在西方20世纪初包豪斯造型学院率先把材料与质地研究纳入基础造型的训练课程之中,此后质地作为一种表现因素开始逐步得到归纳与总结。当我们掌握了这种语言表述能力,一切自然现象都会有新的感觉,一切客观物象又可成为一种新型的再现形式并进行新的自由组合。可以说中国画缺乏质地意识表现是画面缺少视觉冲击力的主要原因,因此,加强中国画质地表现,进行挖掘与开拓,具有重要意义和作用。

Texture is a language of expression of visual art. In the early 20th century Bauhaus modeling institute took the lead in the material and texture research into the basic modeling training course, after which texture as a performance factor began to be gradually summarized and summarized. When we grasp the ability of language expression, all natural phenomena will have a new feeling. All objective phenomena can become a new form of reproduction and undergo a new free combination. It can be said that the lack of texture awareness of Chinese paintings is the main reason for the lack of visual impact on the images. Therefore, it is of great significance and significance to enhance the quality of Chinese paintings, to excavate and develop them.