论文部分内容阅读
众所周知,京剧在闽剧形成及发展初期颇具影响,从剧目移植到布景服饰,从前场唱腔到后场锣鼓,从武场表演到行当设置,闽剧班社曾有一度轰轰烈烈的京班化趋向。《闽剧月刊》于1937年刊载了这样一段文字:“自从国初四大京班相继来闽之后,闽班就受了他的洗礼了,一切的一切都要模仿着京班,机关、布景、行头等等,无一不是京班化了。甚至剧中也要羼入许多不驴不马的京曲,简直是受了京班征服了,闽班趋向既然如是,场面自然也受了影响,全套京班的锣鼓也搬上闽剧的舞
As we all know, Beijing Opera in the early stage of the formation and development of Min Min quite influential, from the repertoire transposed to the set costumes, from the frontcourt singing to the backcourt percussion, performance from the martial arts to the line of business, Fujian Opera once had a vigorous Beijing class trend. The ”Fujian Opera Monthly“ published a passage like this in 1937: ”Since the beginning of the Fourth National Day in the early Kuomintang, the Minban has been baptized by him and everything has to be imitated by the classes, organs and settings , Banquets and so on, all are Beijing class .Even the drama also want to get into many donkey not Kyrgyzstan, simply by the Beijing class conquered, Minban trend since then, the scene naturally affected , A full set of drums in Beijing classes also moved to the Min drama dance