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在书法史上,杨凝式曾被称作“杨风(即‘疯’)子”。在战乱频繁、文艺阙如的五代,人们无暇顾及超然物外的书法艺术,而杨凝式的出现填补了这个空白,他将自我的矛盾引入书法创作中,对古典书法产生了一种冲击,并取得了空前的和谐与统一的艺术效果。这除了他超凡的艺术功底和独特的审美情趣外,最能引起人思考的便是他现实心态的真实写照,他以“疯癫”的状态书写了自己极具个性的灵魂的独白。
In the history of calligraphy, Yang Ning was once called “Yang Feng (the ’crazy’) son.” In the period of frequent wars and lack of literary and artistic achievements, people did not have time to take care of the calligraphic art of transcendental objects. The emergence of Yang Ning’s fills up the gap. He introduced his own contradictions into calligraphy and created an impact on classical calligraphy. Unparalleled harmony and unity of the artistic effect. In addition to his extraordinary artistic background and unique aesthetic taste, the most inspiring reflection is his true portrayal of his realistic state of mind. He wrote his monologue of highly individualized soul in the state of “madness.”