论文部分内容阅读
王原祁,江苏太仓人,字茂京,号麓台、石师道人,康熙九年(1670年)进士,后官至户部侍郎,奉命在宫廷作画并鉴定内府名画。王原祁继承家法,擅画山水,后人把他和清朝初年的另三位画家王时敏、王鉴、王翚合称为“四王”,同时,他又是“清六家”之一。 王原祁在《江乡春晓图》中运用转折的构图的手法使画面看起来丰富而又平和,体现了他所追求的“平淡天真”的宗旨。画幅右下方婀娜的垂柳是画面的主体,它向着左
Wang Yuan Qi, Jiangsu Taicang, the word Mao Beijing, No. Lutai, masters Taoist, Kangxi nine years (1670) Jinshi, the post officer to minister assistant minister, was ordered to paint at the court and appraised Neifu famous paintings. Wang Yuan Qi inherited the family law, good at painting landscapes, later generations and him in the early Qing Dynasty, the other three painters Wang Shimin, Wang Jian, Wang Yi collectively known as the “four kings,” at the same time, he is also one of the “clear six”. Wang Yuanqi’s use of the composition of the turning point in Jiangxiang Chunxiao Figure makes the picture appear plentiful and peaceful, embodying the objective of “plain and innocent” he pursues. The graceful weeping willow at the bottom right of the picture is the main body of the picture, which is toward the left