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剧目的上演,并不意味着创作的终结;相反,观众和时间的考验,正是一个好的作品不断提高、日臻完美的新的开始。舞剧《丝路花雨》一九八一年演出本的修改,便是在公演三百余场过程中,听取各地各界观众、同行和前辈们的意见,经过反复研究、推敲之后进行的。“加深主题思想,提高艺术水平”是我们这次修改的宗旨。本着这个前提,我们从着力揭示人物的内心世界、展现人物个性出发,对剧中一些独舞、双人舞和群舞进行了调整和新的编排。如第一场伊努
The rehearsal of the play does not mean the end of creation; on the contrary, the audience and the test of time are precisely the new beginnings of a good work of continuous improvement and perfection. In the course of performing more than 300 performances, the ballet “Silk Road, Rain and Flower Rain”, the original version of the performance in 1981, listened to the opinions of audiences, colleagues and predecessors from all walks of life after repeated studies and scrutiny. “To deepen the theme and improve the artistic level” is the purpose of this revision. Based on this premise, we make adjustments and new arrangements for some solo, dances and group dancing in the series, focusing on revealing the inner world of characters and displaying individuality. As the first Inu