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在人们的印象中,艺术作品与设计作品中所传达的美感并不是一个定量的概念,并且大凡那些创作意图一目了然、能够头头是道进行分析与评论的作品,往往是浅显与短暂的。的确,一个好的艺术作品所表现的那种全方面与多层次内涵,其覆盖面之广、表现力之强,常常反而给人一种“欲说还休”之感。由此看来,这种含蓄、朦胧的意境、这种只可意会不可言传的体验,正是艺术作品的魅力所在。 然而,另一方面,人们对美的欣赏与评判又不仅仅满足停留在朦胧与模糊的层次,而存在着将其定量化的渴望与企图。这里我们最熟悉的莫过于“评委亮分”这一过程了,计分牌上面的数字甚至可以精确到小数点后两位。这一过程多少反映了人们对模糊、无规现象进行精确化、定量化的努力,以及在两者之间建立某种对应关系的尝试。
In the minds of people, the beauty conveyed in works of art and design is not a quantitative concept. And those works whose works of intent are clear at a glance and can be analyzed and commented are often superficial and ephemeral. Indeed, the kind of all-encompassing and multi-level connotation shown by a good art work often has a wide range of expressive power and often gives people a sense of “wanting to say they still have rest.” Seen in this light, this implicit, hazy mood, this can only be interpreted unspeakable experience, it is the charm of the work of art lies. However, on the other hand, people’s appreciation and evaluation of beauty are not only satisfied with the need to stay at the level of obscurity and vagueness, but there is the desire and attempt to quantify it. Here we are most familiar than the “judges bright points” of this process, the numbers above the scoreboard can even be accurate to two decimal places. This process, to some extent, reflects people’s efforts to quantify and quantify ambiguous and random phenomena and to try to establish some correspondence between the two.