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作为现代杂文的重要一脉,通俗文学作家的时评杂感在文体上自有特质。通俗文学作家活用旧文体,变雅为俗,庄谐互用,以谐著的方式实现了传统文体的现代转型,成为过渡时期副刊政论的重要方式;为适应时变,他们积极探索新文体,形成了“短评”式的杂感与“谈话”式的杂感两种新的杂文形式。无论是活用的旧文体还是创造的新文体,都各具特质,体现了市民趣味的审美追求。本文试图通过阐释通俗文学作家时评杂感的文体特质,评估其在中国现代杂文史上的价值和意义。
As an important source of modern essay, the criticism of popular literary writers has its own idiosyncratic style. Popular literary writers make use of the old style of writing, turn the elegance into the vulgar, the Zhuanghe interdependence, realize the modern transformation of the traditional style in a harmonious way, become the important way of the supplement periodical politics in the transitional period; In order to adapt to the time change, they actively explore the new style, Formed a “short comment ” style miscellaneous and “conversation ” style miscellaneous sense of two new essay forms. Both the old style of writing and the new style of creation have distinctive qualities, which reflect the aesthetic pursuit of citizens’ interest. This essay attempts to assess the value and significance of modern styling in the history of Chinese scribbles by explaining the stylistic features of the critiques of popular writers.