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上海沪申画廊SHANGHAI GALLERY OF ART 2011.11.26～2012.01.05对于熟悉或关注蒋志这十余年艺术实践的人来说,无论是录像《片刻之光》的细腻和深沉,还是以“针”为元素的摄影作品《所有的事物都那么完美》的诗意与智慧,都能够在其既往作品中找到充分的征兆或回响,但当他们在这个叫“一念”的蒋志个展中,被七张尺寸巨大的系列布面油画包围,那么大概也会感到和我一样的困惑:因为在这里,一件录像和六张摄影作品的穿插,并不足以缓减,反倒加强了这组油画对“蒋志”或“蒋志的”这类习惯语境的瓦解和疏离。换句话说,艺术家似乎有意要使我们的“期待”与“幻想”落空,甚至多少有些不礼貌地将我们对之行之有效的一套话语和观点晾在了一边。事实上,在这样表述的时候,一个更深的意思
SHANGHAI GALLERY OF ART 2011.11.26 ~ 2012.01.05 For those who are familiar with or concerned about Jiang Zhi’s ten years of artistic practice, whether it is the delicate and deep-seated video of the “moment of light” “The poetic and the wise,” all things are so perfect “photography of elements, can find sufficient signs or repercussions in their previous works, but when they are in this solo exhibition of Jiang Zhi entitled” One Idea “ , Surrounded by seven hugely large series of oil on canvas, probably will feel the same confusion as me: because here a video and six photographs interspersed, not enough to ease, but to strengthen the group Oil painting on the ”Jiang Zhi“ or ”Jiang Zhi “ such habitual context collapse and alienation. In other words, the artist seems to be interested in putting our ”expectation “ and ”fantasy " down and even somewhat impolitely setting aside the set of discourses and opinions that we are working toward. In fact, in this way, one deeper meaning