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从传统思想、造园艺术与美意识、传统园林的意匠之别等三个方面对中韩传统园林进行了比较,对中韩造园思想与园林美学思想进行了阐述,用比较的手法对中国传统造园艺术和韩国传统造园艺术的处理手法与意匠进行了总结,即中国传统造园受“天地与我并生,万物与我为一”和“天人合一”的哲学思想影响,利用石假山等人工的自然风景造园手法体现出意与境、虚与实、动与静、真与假等处理手法,而韩国的传统园林中很少有假山等人工元素,普遍存在着造景艺术追求用五感来感受大自然的艺术手法。用仙道思想的得水法、背山形、掌风法等手法和儒家思想位阶秩序也在空间构成与动线的流向中体现。
The paper compares the traditional gardens in China and South Korea from three aspects: the traditional ideas, the art of gardening and the awareness of beauty, and the differences between the traditional and the traditional ones. It elaborates on the ideas of gardening in China and South Korea and the ideas of garden aesthetics, Traditional garden art and South Korean traditional garden art of handling practices and ideas were summarized that the Chinese traditional garden by “heaven and earth and I live, everything and I am ” and “harmony between man and nature ” Philosophical thinking, the use of artificial rockery and other natural landscape gardening practices reflect the meaning and the environment, the virtual and the real, dynamic and static, true and false and other manipulations, and South Korea’s traditional gardens there are few artificial elements such as rockery, There is a general art of landscape art pursuit of five senses to feel the nature of art. The method of immortality, back-mountain-shaped, palm-style method and the order of Confucianism, which is based on the thoughts of immortality, are also reflected in the flow of spatial composition and movement.