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技术美学是建立在工业革命时期的现代人文基点上的,它是研究人、技术和自然之间审美关系的学科,它追求技术美的本体,关注人类在社会实践活动中对技术非人性的遏制。技术美学的出现可谓纤维艺术走向成熟的基础。此前的古代纤维作品创做是以在产品功能属性为基准的。现代纤维艺术基于技术美学超脱了功利主义,其制作过程的带来地愉悦审美体验,而使其本身成为了创造目标的一项重要内容。从而使这种制作过程的手工体验、情感倾诉具有了感悟之美,显现出了审美价值,以至现代纤维艺术富有了人性关怀,成为了现代艺术形式当中的一种独立门类。
Technological aesthetics is based on the modern humanities foundations during the industrial revolution. It is a discipline that studies the aesthetic relationship between human beings, technology and nature. It pursues the noumenon of technical beauty and focuses on the containment of inhuman technology by human beings in social practice. The appearance of technical aesthetics can be described as the basis for the maturity of fiber art. Prior to the creation of ancient fiber works is based on the product’s functional properties as a benchmark. Modern fiber art based on technical aesthetics beyond utilitarianism, its production process to bring pleasant aesthetic experience, making itself an important content to create goals. Thus, the manual experience and emotional talk of this production process have the beauty of perception and the aesthetic value. As a result, modern fiber art has become a kind of independent category among the modern art forms.