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文学文本有一种特有的叙事技巧,一个段落、一个章节甚至整个故事都通过单一角色的视角进行陈述,这种方法称之为“内聚焦”或“极端视角主义”。弗吉尼亚·伍尔夫的现代主义小说《海浪》(1931)和路易·保罗·博恩的中篇小说《小步舞曲》(1955)都是比较突出的例子。对文学而言,这种手法较为常见,但对于电影来说,如果将角色内聚焦从文学文本转移过来,是一种不符合常规的举措,电影不能像文学作品那样轻易地传递角色内心的感受。因此,在电影中采用这
Literary text has a peculiar narrative skill. A paragraph, a chapter or even an entire story is presented through the perspective of a single character, which is called “in focus” or “extreme visualization.” Virginia Woolf’s modernist novels Waves (1931) and Louis Paul Beaune’s novella Minute (1955) are more prominent examples. For the literature, this technique is more common, but for movies, it is a non-conventional measure to shift the focus of the characters from literary texts, and the movie can not easily convey the inner feelings of the characters as literary works do . So, use this in the movie