论文部分内容阅读
1992年的岁末,有关电影艺术真正走向市场的脚步声,随着影片发行由“包办”转向“自主”的政策开禁,而与迎春的爆竹声同震响于电影生产厂家的门前。与此同时,全国性的拷贝订货会上传出消息:由中港合拍的影片《新龙门客栈》卖出244个拷贝而独占鳌头,并且在影院连映月余而不衰。这无疑为行将走向市场的中国电影提供了一种范式。看过影片《新龙门客栈》便不难发现:其所以成功而至于走红绝不是偶然的。该片由编剧、
At the end of 1992, the film and television arts were really marching toward the market. As the film distribution shifted from “arranged” to “independent” policy, the ban on the film distribution started with the crackers of the Spring Festival. In the meantime, a nationwide copy order message was uploaded: 244 copies were sold by China-Hong Kong co-production “The New Dragon Inn”, winning the top spot in the movie theater. This undoubtedly provides a paradigm for the upcoming Chinese film market. Watched the movie “New Dragon Inn” is not difficult to find: its success and as popular is by no means accidental. The film by the screenwriter,