论文部分内容阅读
拜读余寒同志《师法造化回归自然——浅议配件的合理应用》一文(1996年7期《中国花卉盆景》)特别是文中指出冯舜钦先生的《独钓寒江雪》的瑕中之疵一节,使我陷入了沉思:1992年秋,在南京举行的一次盆景盛会上,我和余寒同志都曾聆听过冯先生的雪景专课。对冯先生的成名之作评首论足,似有不恭之嫌。但余寒同志为艺术而不避嫌,也就引发了笔者的话题:以古诗词句题名或再现古诗词中之景,必须理解原作,开掘内涵,才能尽善尽美,无懈可击。勿容置疑,在诸多以钓叟作配件或题名与“钓”有关的盆景作品中,影响最大的莫过于《独钓寒江雪》了。该作曾数次修改。故有几种不同的照图。《中国盆景佳作赏析与技艺》收录的为其一,马文其
Reading Comrade Yu cold, “the law of nature back to nature - on the rational application of parts” (1996 7 “Chinese flower bonsai”) especially pointed out that Mr. Feng Shunqin’s “fishing alone” Day, I lost in thought: In the autumn of 1992, at a bonsai event in Nanjing, both myself and Comrade Yu Han had heard Mr. Feng’s snow lesson. Mr. Fung’s fame for comments on foot, seems to be disrespectful. However, Comrade Yu Han did not evade suspicion for the arts, which also triggered the author’s topic: the title of ancient poetry or the reproduction of ancient poems in the King, we must understand the original work, to dig the connotation, in order to perfection, impeccable. There is no doubt that among the many bonsai artworks related to “fishing”, the most important of which is fishing accessories, or the title of “fishing”, the most important thing is that “fishing is unique.” The book has been revised several times. So there are several different photos. “Chinese bonsai masterpiece Appreciation and skills” included as one, Marvin its