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斯克里亚宾是俄罗斯十九世纪末最具个人特色的作曲家之一,也是音乐史中创作风格最多变的作曲家之一。他的作品旋律优美简洁,和声色彩丰富,音乐充满了戏剧性和抒情性,不但对同时代人,也对下一代的艺术家们产生了很大的影响。本文以前奏曲集Op.11为例,对演奏斯克里亚宾前奏曲中的踏板运用进行了分析研究。文章着重从半音进行、单音或和弦连接、旋律结合休止符、弱音踏板以及和声变化这几方面提出了几种不同的踏板运用方法,并进行了较详细的探讨。本文认为通过深入的分析和探析,能帮助我们较完美地诠释这部作品。
Scriabin is one of the most personal Russian composers of the late nineteenth century and one of the most varied composers in the history of music. His works are melodic beautifully and concisely, with rich and colorful vocals. The music is full of drama and lyricism, which has a great influence on the contemporaries as well as the artists of the next generation. In this paper, we use the prelude Op.11 as an example to analyze the pedals used in the performance of Scriabin Prelude. The article focuses on the use of semitone, monophonic or chord connection, melodic combination of rests, soft pedal and harmonic changes in several aspects of the pedal using methods, and conducted a more detailed discussion. This paper believes that through in-depth analysis and analysis, can help us more perfect interpretation of this work.