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新编昆剧《影梅庵忆语·董小宛》(以下简称《影》)是剧作家罗怀臻近年创作的一部新戏。剧中,他以冒辟疆怀念亡妾董小宛而作的《影梅庵忆语》(以下简称《忆语》)为构思框架,以新编的故事情节,塑造了一个爱情至上、克己复礼、德言容功一应俱全的完美的名妓/贤妾形象。人物形象是创作者认知结构和审美趣味的投射。那么,此剧塑造的董小宛这一女性形象反映了创作者怎样的认知结构和审美趣味,即,作者持有怎样的女性观?这种
The new Kunqu Opera “Ying Meiyan Yi language · Dong Xiaowan” (hereinafter referred to as “shadow”) is a new play by the writer Luo Huai Zhen in recent years. In the play, he takes the idea of “Shadow Memoir” (hereinafter referred to as “Memoir”) as the conceptual framework for remembrance of deceased concubine Dong Xiaowan to create a love first, self-denial re-enactment , Germany, the perfect power of courtesy / concubine image. Character image is the projection of creator’s cognitive structure and aesthetic taste. So, this play shaping Dong Xiaowan this female image reflects the creator of what kind of cognitive structure and aesthetic taste, that is, the author holds what kind of female view?