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肖邦作品 OP.27中的两首夜曲(即第7首和第8首)1836年创作,5月出版,题献给达勃尼伯爵夫人。现分述如下:OP.27No1,升 c 小调,三段体式。这首夜曲是肖邦创作成熟期的杰作,是夜曲中结构最庞大的一首,也是最具有渴望、祈求和刚强不屈精神的一首。克列金斯基风趣地说:在这里菲尔德的影响完全脱离了,而肖邦又披上了厚厚的诗意般的魔术外衣。一、浓厚的小调色彩,阴郁暗淡的旋律、连续波动的六连音显示着肖邦动荡不安的心情。二、八度由弱到强并多次奏出的号角声,像似远方各地传来的呼唤声和动员令,号召人们坚强起来和命运搏斗。八度和左手三连音不间断地鼓动着的紧张气氛好似
Two of Nocturne in Chopin’s OP.27 (ie, 7th and 8th) were created in 1836 and published in May, dedicated to Countess Dabney. Now described as follows: OP.27No1, liters c minor, three-section style. This first song is a masterpiece of Chopin’s mature composition, is the largest of the nocturnes in the song, but also the most desire, pray and strong unyielding spirit. Kryginski said humorously: Here Field completely divorced, and Chopin put on a thick poetic magic coat. First, a strong minor colors, dark gloomy melody, continuous fluctuations of the six-legged Chopin shows the turbulent mood. Second, octave from weak to strong and repeatedly played the horn sound, like the call came from afar and mobilization order to call people strong and fate fight. The tense atmosphere of octave and left-hander’s triple-decker motivation continues unobtrusively