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问题的提起1994年第五期的《音乐生活》上,年轻词作家、《词刊》特约编辑王晓岭提出了一个严竣的问题:专业词作家的出路何在?他指出,许多作曲家已不再寻找专业词作家的词了,他们或自己作词、谱曲、演唱,或转向音像世界寻找感觉,为电视电影谱写主题歌、插曲,或搞音乐沙龙成立演唱队自己闯天下;一大批专业词作家因而被冷淡了,专而无所作为了.王晓岭把问题尖锐地摆了出来,令我吓了一跳,觉得这确实是个问题:词不能谱曲,将变成拐脚马,难以奔驰,难以入世,词作家也就潇洒不起来.怎么办呢?晓岭的文章主题专一,他没有展开来议论.另一位词家兼《音乐生活》副总编的耿大权,在《感谢小雨》一书的《后记》中,对歌词的性质和前途,说出了自己
Mentioning the Issue In 1994, “Music Life”, the young writer and editor-in-chief of the magazine Wang Xiaoling put forward a serious question: Where is the way for the professional writer to write? He pointed out that many composers no longer have Look for the words of the professional writer, they or their own lyrics, composing music, singing, or turn to the audio-visual world to find the feeling of composing the theme song, episode, or music salon for the establishment of the singing team to enter the world; a large number of professional word writer So was cold, and specifically doing nothing Wang Xiaoling pointed out the issue sharply, I was shocked, I think this is indeed a problem: the word can not music composition, will become a stomp horse, difficult to Mercedes-Benz, it is difficult to enter the WTO, How to do? Xiaoling article theme-specific, he did not start to talk about another writer and “music life”, deputy editor of Geng empowerment, in the “thanks to the light rain,” a book “Postscript”, on the nature of the lyrics and the future, said himself