古今“一字师”

• 作 者: 王开林
• 出 处: 中华活页文选(高二、高三年级)
• 发表日期: 2013年04期
• 关键词: 一字师 清代诗人 严先生祠堂记 郢人 郑谷 李泰伯 中国诗歌 咏月诗 论诗 北宋文学

清代诗人沈德潜论诗,有这样的断语:“诗到真处,一字不可易。”如果诗离“真处”尚差咫尺呢?一字之易就不可缓行。中国诗歌用字极简,炼字极精,一字之易往往会使意趣发生微妙的质变,这种类似于郢人斫垩的斧正①,既需要巧思灵感拍马驰援,也需要事理逻辑和精神境界为之辅翼。唐代诗人贾岛咏得佳句,却拿不准“鸟栖池边树,僧推月下门”与“鸟栖池边树,僧敲月下门”哪个更强。他正在“推敲”之际,神思

The Qing Dynasty poet Shen Deqian poetry, there is such a word: “Poetry to the truth, the word can not be easily. ” If the poem from “real place ” is still close at hand? Chinese poetry minimalism, refining the word extremely fine, the word easy often subtle qualitative changes of interest, this is similar to the human chalks ax, both need inspirational flapping aid, also need logic and logic The spiritual realm is the auxiliary wing. Tang Dynasty poet Jia Dao Yong sentence, but not allowed “bird habitat poolside trees, monks pushed the door” and “birds” perch tree, monk knock on the door “which is stronger. He is thinking of ”scrutiny"