论文部分内容阅读
对于所有追求真实的艺术家来说,他们永远都不会漠视丑,惧怕丑。因为只有丑与美的对立统一,才能构成完整、真实的世界图景,这就象只有白天与黑夜的交汇才能组成流之不尽的时光之河一样。一在人类的童年时代——古希腊时期美是艺术的最高法典。那是一个真正的崇尚美的时代。忒拜国的法律曾明确规定:艺术家所摹仿的事物只能比原来的更美、而不能比原来的丑。违者就要受到惩罚。而且这种惩罚并不是针对技艺拙劣的人,而是针对那些着意要“夸大事物的丑陋的部分”的艺术家。如讽刺漫画家。古希腊人的这种法律的实质就是:不准表现丑!这在现代人的眼中就如同“不准革命”一样,都是不折不扣的陈规陋习。因为它把存在于现实生活中的一切负价值的感性形态,都掩饰、埋藏起来,它使人们
For all the pursuit of real artists, they will never ignore the ugly, fear of ugliness. Because only the unity of opposites between ugliness and beauty can form a complete and real picture of the world. It is like a river of endless time that can only be formed by the intersection of day and night. In the childhood of mankind, beauty is the highest code of art in ancient Greece. That is a real era of advocating beauty. It is clear from the law of Tebai that the things imitated by the artist can only be more beautiful than the original, but not worse than the original ugly. Offenders will be punished. And the punishment is not directed against the poorly skilled, but against those who are interested in “exaggerating the ugly parts of things.” Such as caricature cartoonist. The essence of this ancient Greek law is: No performance of ugliness! This is like in the eyes of modern people, “No Revolution”, they are all abounding stereotypes. Because it conceals and buries all the negative forms of emotional existence that exist in real life, it makes people