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从昭王时代起,金文书法在结体和章法日趋平稳整齐的基础上,着手于笔画的线条化和平直化,以此降低文字的象形程度,提高线条的流畅程度,激活文字的书写性。《墙盘铭》是在这个成熟期内产生的主要作品。该铭的字体线条摆脱了两头细、中间粗的甲骨文的影响,长度感不是墨线的长度,而
From the time of King Zhao, Jinwen calligraphy began to straighten out and flatten strokes on the basis of the increasingly smooth and tidy knot and the seal of law. In this way, the pictographic level of the characters is reduced, the smoothness of the lines is enhanced, and the written character of the characters is activated. Wall Plate Ming is the main work produced during this period of maturity. The Ming font lines get rid of two thin, the middle of the rough Oracle, the sense of length is not ink length, and