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1958年是我国一个特殊的年代,全国人民都情绪高涨的进行着社会主义建设大跃进。为配合和宣传农业、工业生产的发展,在美术上也掀起了史无前例的全民壁画运动。这场壁画运动无论是创作数量、创作方式都是史无前例的,它不仅仅是一次群众性的艺术运动和政治运动,更是一种美术与历史文化现象。它所呈现出的美术意义和历史文化内涵,值得深思和研究。壁画在时代思潮的推动下成为大跃进运动的主要宣传工具。时代
In 1958, a special era in our country, all the people in the country were in a state of great mood with a great leap forward in socialist construction. In order to tie in with and promote the development of agriculture and industrial production, an unprecedented mural painting campaign has also been launched in art. This mural movement is unprecedented both in number of creations and creation methods. It is not only a mass artistic movement and political movement, but also a phenomenon of art and historical culture. It shows the meaning of art and historical and cultural connotation, it is worth pondering and research. Frescoes have become the main propaganda tools of the Great Leap Forward movement, driven by the trend of the times. era