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中国古代农事诗中,写实笔法是诗歌中的主旋律。刘再复在《罪与文学》中总结中西方文学特点时,用“乡村情怀”来指代中国文学,“旷野呼号”概括西方文学。“中国诗不是灵魂的呼号,而是人生的感叹”。体现在诗歌中,就是一个“实”字。这种“实”不仅体现在内容上切合实际,脚踏实地(与农事,农业,农技,农具相关),笔法中也大多以白描为主兼以互文,比喻为修饰。前有唐王维《渭川田家》里寥寥数笔白描,“斜光照墟落,穷巷牛羊归。野老念牧童,
In Chinese ancient farming poetry, realistic writing is the main theme in poetry. When Liu Zaifu summarizes the features of Chinese and Western literature in Sin and Literature, he refers to Chinese literature as ”rural feelings“ and ”Western calligraphy in the wilderness“ summarizes Western literature. ”Chinese poetry is not the call of the soul, but the sigh of life “. Reflected in poetry, is a ”real “ word. This ”real“ not only reflected in the content of realistic, down-to-earth (and agriculture, agriculture, agricultural technology, farm tools related), most of the brushwork is mainly based on white and intertextuality, metaphor for modification. Before Tang Wang Wei, ”Wei Chuan Tian family,“ a handful of white strokes, ”Oblique light according to the market,