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我们以学术范型为重要关节点来研究中国 2 0世纪文艺学学术史。中国 2 0世纪文艺学学术史是一个由 2 0世纪之前积蓄变革势能 ,到 1 9、2 0世纪之交从“诗文评”向“现代文艺学”的“蜕变”,再到 2 0世纪 40年代之后的“定格”,最后到 70年代末开始“突破”的过程。这百余年的历史 ,有两个时段变化最大、发展最快、最为耀眼 ,因而给我们感触最深 ,一是最初的二三十年 ,一是最末这 2 0来年 ;而中间几十年则略微平缓单调了一点。“学术政治化”是百年文艺学学术研究的总体特征之一。百年历史给我们的重要启示是 :要发展文艺学 ,必须不封闭 ,多元化。
We use the academic paradigm as an important juncture to study the academic history of Chinese literature and art in the 20th century. The academic history of Chinese literature and art in the 20th century was a transformation from the potential of savings and savings until the turn of the century to the turn of the century from the “poetry evaluation” to “modern literature and art” until the turn of the century and the 20th century 40 years after the “freeze”, and finally to the late 70s “breakthrough” process. This hundred years of history, with the two largest changes, the fastest growing, the most dazzling, which gives us the deepest feelings, one is the first two or three decades, one is the last 20 years; the middle of a few decades Then a little flat monotonous. “Academic politicization” is one of the general characteristics of the academic research of centennial literature and art. The important enlightenment given us by the one-hundred-year history is that we must not block and diversify the development of literature and art.