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恩格斯认为:理想的戏剧应当“具有较大的思想深度”。我喜欢《南诏奉圣乐》这个剧本,就是它具有一定的思想深度。题记:“如果说中华五千年文明史是一部恢宏的交响乐,那么,‘民族团结’就是其中最富华彩的乐章。”简短的几句话,把剧作者创作该剧的思想立意表露得清清楚楚了。作者通过一千二百多年前,南诏与唐王朝之间的矛盾与统一演绎成一个历史演义剧。剧中,通过郑回、阁罗凤、韦皋、多诺等一批坚持祖国统一,维护民族团结的历史人物“为国家长安宁九死无悔”的奋斗,最后,终于战胜邪恶,粉碎了麻秋等人企图分裂祖国,破坏民族团结的阴谋,实现了南诏归唐理想,谱
Engels believes that the ideal drama should “have a greater depth of thought.” I like the script of “Nanzhao Bong Shengle”, that is, it has a certain depth of thought. Inscription: “If China’s 5,000-year history of civilization is a magnificent symphony, then ’national unity’ is one of the most glorious movements.” In a few short sentences, Showed clearly. The author through a thousand two hundred years ago, Nanzhao and the Tang Dynasty contradictions and unity into a historical drama. In the play, through a series of historical figures such as Zheng Hui, Ge Luo, Wei Gao and Donau who persisted in the reunification of the motherland and the maintenance of national unity, “fighting for the sake of the nation, Chang Ningling will die without regret.” Finally, he finally defeated the evil and smashed the hemp Qiu et al. Attempted to split the motherland and undermine the unity of the nation, thus achieving the ideal of Nanzhao’s return to the Tang Dynasty and the spectrum