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读钟曦的画想起一些抽象艺术的问题,早在本世纪上半叶,抽象艺术大师康定斯基就将艺术的精神性作为抽象艺术的命题、尽管康定斯基从形态上全面论证了精神性在抽象艺术中的可能性,但在那个时代,抽象艺术在文化反叛上的意义远甚于形式本身的价值.一旦这种意义随着现代艺术的进程而逐渐消退的时候,抽象艺术似乎也完成了它的历史使命.然而也正是在这个时候,即那些非艺术的社会与文化的光环从它周围消退的时候,抽象艺术的一些本质性的要素才凸现出来,但这也是抽象艺术的创作最困难的时候.因为这时社会意识或者被大众文化所淹没,或者更关注对社会本身的形象性描述.
As early as the first half of this century, abstract art master Kandinsky regarded the spirituality of art as the proposition of abstract art. Although Kandinsky formally demonstrated the spirituality from the perspective of morphology, In abstract art, but at that time the meaning of abstract art in cultural rebellion far outweighed the value of formality itself.As soon as this meaning receded with the progress of modern art, abstract art seemed to be done It is its historical mission.However, it is also at this time when the aura of non-art society and culture receded from its surroundings, some essential elements of abstract art emerge, but this is also the creation of abstract art The most difficult time, because then the social consciousness is either overwhelmed by mass culture or even more concerned with the pictorial description of society itself.