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京剧我不熟悉,童稚时母亲曾携我与弟弟在青岛长安大剧院看过一场梅兰芳的演出,六十余年过去了,不再记得当时演的是何剧目,迄今仍未忘记的是梅兰芳的扮相与唱腔,虽然已极模糊,但比女人还女人的印象还是很深刻的,遂知道京剧不是现实的人生,京剧是戏,或因是戏,始有人看,继有票友和戏迷沉溺其间,而这些是后来衍生的想法,未曾想过,六十年过去,这竟是我直接面对京剧的全部记忆。对于样板戏我诚然是有印象的,“文革”十年,从晨至
I am not familiar with Peking Opera. When I was a child, my mother and I had seen a performance of Mei Lanfang at the Chang’an Grand Theater in Qingdao. Sixty years later, I no longer remembered what the rehearsal was and did not forget so far Is Mei Lanfang’s appearance and singing, though it has been very vague, but still more than a woman’s impression of women, then I know Peking Opera is not a real life, opera is the show, or because of the drama, the beginning of others, following Fans and fans addicted to it, and these are derived from the idea, never thought, sixty years later, this is my direct memory of all the memories of Beijing Opera. For the model opera I certainly have an impression, “Cultural Revolution ” ten years, from dawn