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河南曲剧《陈三两》是“曲剧皇后”张新芳的代表作,1959年由长春电影制片厂搬上荧幕。半个多世纪以来,河南曲剧《陈三两》之所以久演不衰,深受大众喜爱并成为经典,除张新芳独特的声腔魅力外,可以说与该剧丰富、新颖、科学及发展创新的曲牌运用有着密不可分的关系,至今对河南曲剧的音乐创作仍有着极高的研究价值和学术上的探究意义。一、曲牌选用的大众手法张新芳的声腔艺术中单牌复用居多,用的都是老百姓最熟悉的曲牌,她的这种创腔理念是值得我们学习的。她的唱腔不但是自己唱的,更是自己
Henan opera “Chen San 2” is the “drama Queen” Zhang Xinfang’s masterpiece, in 1959 by Changchun Film Studio onto the screen. For more than half a century, the reason for the long play of “Chen San Liang” in Henan opera, which has enjoyed a long time performance, has become popular and become a classic. Apart from the unique acoustic charm of Zhang Xinfang, it can be said that the drama is rich, innovative, scientific and innovative The use of the tunes has a close relationship with each other. Up to now, the music of Henan opera still has a very high value for research and academic exploration. First, the public use of the Tunes licensing Zhang Xinfang acoustics art single reuse most of the cards are used by the people are most familiar song card, her idea of a wound cavity is worth our study. Her singing is not only sung by myself, but also by myself