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花鸟画作为中国画的一个重要组成部分,已走过了漫长的单程,并在历史上曾经出现过两次发展的高峰。一是以宋代为代表的工笔花鸟画,宋代的工笔花鸟画以结构严谨,造型准确,线条生动,色彩高雅而著称。北宋宋徽宗皇帝曾经设立“翰林国画院”并亲自主持画院,集中了一批有成就的画家从事花鸟画创作,使当时的工笔花鸟画得到了空前的发展与繁荣,并为后人留下了一大批珍贵的佳作。二是明代中后期到清代文人写意花鸟画的异军突起,明代徐渭的大写意花卉气势磅礴,水墨淋漓。清代的八大山人,用笔简练、造型奇特,任伯年的小写意用色清丽,造型精美,构图巧妙而多变。扬州八怪中的金农、华新罗、郑板桥亦各树新风,在表现形式上各臻其善。清代末年以后,
As an important part of Chinese painting, flower and bird painting has gone through a long one-way trip and has witnessed two peaks of development in history. The first is the fine brushwork represented by the Song Dynasty. The fine brushwork and flower painting of the Song Dynasty is famous for its rigorous construction, accurate modeling, vivid lines and elegant colors. Emperor Huizong of the Northern Song Dynasty Emperor Huizong once set up the “Hanlin Painting and Calligraphy Institute” and personally presided over the Painting Academy. He concentrated a group of accomplished painters in the creation of flowers and birds paintings, which enabled the then finest flower and bird paintings to develop and flourish and left behind for future generations A large number of precious masterpieces. Second, from the mid and late Ming Dynasty to the Qing Dynasty literary people’s freehand flower and bird paintings of the sudden emergence of the Ming Dynasty Xu Wei’s freehand brushwork flowers, ink dripping. Bada Shanren of the Qing Dynasty, with pen concise, peculiar shape, Ren Bo years small use of beautiful color, beautiful shape, composition clever and changeable. Among the eight strange people in Yangzhou, Jinnong, Huaxinluo and Zheng Banqiao also made new endears in various forms and achieved good results in their manifestations. After the end of the Qing Dynasty,