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肖斯塔科维奇的《二十四首前奏曲》(Op.34)是一部融思想性和艺术性于一体的优秀之作——不但是他在钢琴创作领域技法完全成熟的重要标志,更是他借鉴前人《前奏曲》创作手法与本民族特有音乐语言成功结合的典范,其对后世影响巨大,被称为“新古典主义的浪漫格言诗”。该作品是用平均律中不同的24个大小调来创作完成的钢琴套曲,尽管每首前奏曲结构规模都很短小但却精致无比,音乐语言朴实却不失丰富,展示了作曲家的创新思维与技法,体现了作者极具个性特色的音乐创作风格。
Shostakovich’s Twenty-Four Preludes (Op.34) is a masterpiece of combining ideological and artistic qualities - not only an important symbol of his complete maturity in the field of piano composition, but also Is a model that he successfully used in combination with the creative techniques of his predecessors “Prelude” and the unique musical language of his own nation, which has great influence on the future generations and is called “neo-classical romantic epic poem.” The work is a piano suite composed of 24 different sizes in the average law. Although each prelude structure is very small but delicate, the musical language is simple yet rich, demonstrating the composer’s innovative thinking And techniques, reflecting the author’s personality characteristics of the music style.