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经过4年的深度调整,南方文交所再度开启艺术品证券化大门。在中国,70%以上的艺术品交易产生在拍卖行,大量艺术品并没有实现资产化与有效流通。而在西方的财富整合中,艺术品作为资产配置的一种已深入人心。目前,中国艺术品市场已经沉淀万亿级的艺术资产,但始终未解决大众投资与流通的问题。立足豫园商城创业二十余年的贯能艺术空间馆长龚兵认为造成这一现象的原因是,“艺术品真伪难辨;艺术品身份证(即流通记录等)难以建立;交易模式始终未走上
After four years of in-depth adjustment, the South Exchange opened once again the door to art securitization. In China, more than 70% of art works originate at auction houses, and a large number of works of art have not been capitalized and effectively circulated. In the western wealth consolidation, art as a kind of asset allocation has been deeply rooted. At present, the Chinese art market has precipitated a trillion-tier art asset, but the issue of public investment and circulation has never been solved. Gongyuan, based in Yuyuan Garden for more than 20 years of entrepreneurial career, believes that the reason for this phenomenon is that ”the authenticity of works of art is difficult to distinguish; it is difficult to establish artworks’ identity cards (ie, circulation records, etc.); the mode of transaction Never go up