【摘 要】
：
一、空白与美学“空白”艺术的思想根源可追溯到老子《道德经》中的八个字,即“大音希声,大象无形”。他认为宏大的景象似乎没有一定的形状。世界上最伟大恢弘的气派和境界,
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一、空白与美学“空白”艺术的思想根源可追溯到老子《道德经》中的八个字,即“大音希声,大象无形”。他认为宏大的景象似乎没有一定的形状。世界上最伟大恢弘的气派和境界,往往并没有拘泥于一定的格局,而是表现出广阔无边的面貌和场景。在中国古代文化领域里,空白是艺术家在进行艺术构思与创作中常用的技巧方法,如在书法、绘画、音乐作品中。在创作中不仅要考虑字体大小、笔画粗细以及运笔的流畅,更重
I. Blankness and Aesthetics The ideological roots of “blankness” art can be traced back to the eight characters in Laozi’s “moral classics”, namely, “loudly sounding, invisible in elephants.” He does not think the grand scene seems to have a definite shape. The greatest and most magnificent styles and realms in the world are often not rigidly adhered to a certain pattern, but show a vast expanse of appearance and scene. In the field of ancient Chinese culture, blank space is a common technique used by artists in their artistic conception and creation, such as in calligraphy, painting and music. In the creation of not only to consider the font size, stroke thickness and lucky pen, heavier
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