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萧红的创作中有着很浓的悲剧色彩,由于自身经历以及地域、战争等环境的影响,萧红形成了极强的悲剧意识,身为女性作家,她将这种悲剧意识运用到女性命运的书写当中,女性悲剧的根源在于封建桎梏下的历史陋习对人的毒害以及国民自身生命本体意识的缺失,从中我们可以看到萧红对鲁迅在二十年代关于国民劣根性批判问题的继承与发展。本文将从悲剧角度出发对萧红及其创作进行深入剖析,从中展现萧红对落后国民性的批判以及对女性生命悲剧的哀叹。
Xiao Hong has a strong tragedy in his writing. Due to his own experience and the impact of the environment such as the region and war, Xiao Hong formed a strong sense of tragedy. As a female writer, she applied this tragic consciousness to the writing of women’s destiny The root of female tragedy lies in the poisoning of people under the feudal shackles and the lack of awareness of the noumenon of life itself. From this we can see that Xiao Hong inherited and developed Lu Xun’s criticism of the bad character of the people in the 1920s. This article will make an in-depth analysis of Xiao Hong and his creation from the point of view of tragedy, and show Xiao Hong’s critique of backward national character and lament of the tragedy of female life.