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自概念提出至今,实验水墨的发展经历了20余年进程,关于实验水墨的语义、底限、归属问题一直存在着很多争议,但实验水墨在当代中国艺术中却是不可忽视的热门话题。本文拟以实验水墨中的“脊梁”——“实验性”的实现为切入点,探寻实验水墨创作实践中对媒介的运用现状,并分析多媒介运用中遇到的相关问题。
Since the concept was proposed, the development of experimental ink and wash has undergone more than 20 years of progress. There has been a lot of controversy about the semantics, limits and ownership of experimental ink and wash. However, experimental ink and wash is a hot topic that can not be ignored in contemporary Chinese art. This paper intends to use experimental ink in the “backbone ” - “experimental ” as the starting point to explore the practice of experimental ink practice of media use in the status quo and analysis of multimedia applications encountered in the relevant issues.