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在尊重原创童话颠覆主义内容精髓的前提下,《森林诱惑》调整了更易于中国观众接受的台词唱腔。这部被百老汇誉为“史上第一部有着童话场景与服饰的现实主义题材音乐剧”彻底颠覆了中国70、80乃至90后对于经典格林童话故事的基本认知,将互联网时代到来时人们对于社会伦理和个人命运、教育与人性成长的各种判定凝练到时长2小时的四个“童话故事”之中。剧中的王子、公主、英雄、巫婆等童话元素鲜明的人物全部被抛入21世纪的价值观漩涡,使他们的命运结局看似颠覆,实则恰恰为我们所应接受。
Under the premise of respecting the essence of original fairy tale subversionist content, “Forest Temptation” adjusts the line of speech more easily accepted by Chinese audiences. This was Broadway as “the history of the first fairy tale scenes and costumes realistic musical theme” completely subvert the Chinese 70,80 or even 90 after the classic Green’s fairy tales of the basic knowledge of the Internet era The various judgments on social ethics and personal destiny, education and human nature have been condensed into four “fairy tales” of 2 hours duration. All the fairy tale characters, such as princes, princesses, heroes and witches, are all thrown into the whirlpool of values in the 21st century, making their destiny seem subversive. In fact, it is exactly what we should accept.