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张清帆在造建筑工作室以推己及人的体验作为出发点和落脚处,希望在工作里保持一种慢工出细活的状态,保有对传统的感情,将人们生活的愿望进行细致而耐心的梳理,使之成为扎实的创造,成为指向美的建筑语言。心头最挂念的几幅宋画,只是淡墨渲染、画题平凡的文人小品,没有李成范宽精湛的革命意味的技术,但画中经营的烟云林木溪流,却变成独特的风景印痕,刻在记忆深处,使我总去想念它,希望有机会在现实里体验它。北宋赵令穰《江村秋晓图》、《湖庄清夏图》、《江乡清夏图》、《橙黄橘绿图》,南宋赵伯驹《江山秋色图》,赵伯骕《万松金阙图》便是带有梦幻感觉的几幅。虽然画中描绘云雾的并不少见,用云雾烟霭
Zhang Qingfan in the construction of the studio to make the best of both worlds and human experience as a starting point and at the foot of the Office, hoping to maintain a slow working life in the fine workmanship, maintain the traditional feelings of the people’s wishes for life carefully and patiently comb, so that Become a solid creation, a beautiful architectural language. Most of the Song paintings in my mind are just paintings of light ink and ordinary calligraphic works of art. There is no technique of Li Chengfan’s superb revolutionary meaning. However, the streams and streams of smoke and clouds managed by the painting turn into unique landscape prints inscribed in Deep memory, so I always miss it, I hope to have the opportunity to experience it in reality. Northern Song Zhao Lingtao “Autumn Village map”, “Lake Village Qingxu map”, “Jiangxia Qingxia map”, “orange yellow orange green map”, South Song Zhao Zhaoju “Jiangshan autumn map”, Zhao Bohu “Wansong Golden Que Figure” is a dream Feel a few pieces. Although it is not uncommon to find clouds in the paintings, clouds are misty