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钟情原始人类辉煌的过去是每个美术学子挥之不去的情结。我们迷恋拉斯科洞窟壁画;我们用视觉替代触摸来把玩“维林道夫的维纳斯”;我们紧贴着玻璃箱注视着仰韶文化的彩陶;我们举头仰望着花山壁画的神奇。实际上,是自然赋予了人类祖先神奇的创造力。反过来,我们又惊叹于大自然对人类艺术的影响。人们只认可原始艺术的魅力,却不会认识到原始人类的单纯与幼稚,而追求所谓艺术的纯粹性往往又使我们离艺术的本质越来越远,这其实是因为我们要求的东西太多。某
Love the original human glory of the past is the lingering complex of each art student. We are obsessed with Lasko cave paintings; we use the visual alternative touch to play “Venus of Virin ”; we are close to the glass box watching Yangshao culture pottery; In fact, it naturally gives the magical creativity of human ancestors. In turn, we marveled at the impact of nature on human art. People only recognize the charm of the original art, but do not realize the simple and naive primitive mankind, and the purity of the pursuit of the so-called art tends to make us further and further away from the essence of art, in fact, because we require too much . certain