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本文论述了海德格尔是如何扬弃传统的形而上学思维 ,以及如何建立自己独具特色的存在本体论 ,并揭示了艺术本性与存在及真理的关系 ,他认为 ,艺术的本性是不能用把呈现在眼前的各种艺术作品的标志集中在一起的方式来彻底把握的 ,因为无论是“特征的载体”“感觉的复合”和“有形的质料”这三种传统的知解艺术的方式都不可能达到对艺术品的自足性的把握 ,而只有通过艺术地掌握艺术品的方式 ,才能揭示艺术品的存在真理 ,因此艺术的本性乃是艺术品中描绘对象的存在真理敞开发生的一种方式。
This article discusses how Heidegger abandoned the traditional metaphysical thinking and how to establish his own unique ontology and reveals the relationship between artistic nature and existence and truth. He believes that the nature of art can not be expressed in The way in which the various signs of the various works of art are grouped together can be completely mastered, since neither traditional “sensory complex” nor “tangible material” means the art of knowing art Only by grasping the way of artwork artfully can we reveal the truth of the existence of the artwork. Therefore, the nature of the art is a way of opening the truth about the existence of the object of painting in the artwork.